Archive for altered consciousness

Dream Forest

Last night I dreamed:

  1. David Bowie, older but statuesque and charming, is in our midst. I open conversations with him and he demures, chatting briefly, but ultimately remains aloof. He turns in for bed, perched loftily atop a triple bunk, out of reach.
  2. I go into a supposedly familiar general store expecting to see a supposedly familiar Indian shopkeeper behind the counter, but the Indian has been bought out by the Chinese. In his place are 4 Beijing-Olympic-style hostesses in shiny canary yellow dresses, all smiling. Alienated, I leave the shop and see the old owner who looks like Mac Maharaj, in a coffee bar sipping a latte.
  3. I enter a decrepit, Orwellian room with about 20 light switches, only 2 of which actually work, and dimly at that. An apocalyptic news bulletin comes on the radio from an Indian politician talking about mass outbreaks of an incurable virus. I panic, and yearn for the Brubecks (my university lecturer Darius and his wife Cathy), an earlier life where I knew what was what, who was who, and what I had hoped for. The soundtrack could have been Bowies “Five Years”, although it seems like it was only 5 weeks. Shades of Cloverfields, 1984, and I am Legend.

What sayeth the soothsayers?

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The Holy Trickster

Featuring The Jester-Fool, Coyote-Jackal, Br’er Rabbit, Homo Ludens, Hermes-Mercury, Prometheus, and the Serpent.

horse thief cayote from www.carpenoctem.tvI first became aware of the Trickster when at some point in my 30’s, when in order to survive, I was forced to wear a Grey Suit. See, I had been a free spirited musician until that point, and “Suits” represented the Recording Industry and Accountants, who were everything we (the chosen ones) despised. So in the aftermath of the collapse of my artistic career, and with it my notions of God – so earnestly had I taken my vocation – I was joining THE ENEMY. I was succumbing to necessity, I was abandoning the “Keeping of the Faith” (To quote the Wayne’s World rendition of Jim Morrison, who was spared all this by his in/glorious early demise).

So I headed off tie and all, into the City of London, to sell my time to the world’s largest bank. And I thought to myself, “This is kind of cool”, because in my heart I knew I was not in fact becoming one of the enemy, but rather to quote Bruce Cockburn “Dancing in the Dragons Jaws”, more like a spy. I might have appeared to be another hi finance techno-drone, but I realise now, I was in fact an incarnation of the trickster.

To quote mythographer Joseph Campbell, in “The Masks of God Vol 1″: 

“This ambiguous, curiously fascinating figure of the trickster appears to have been the chief mythological character of the paleolithic world of story. A fool, and a cruel, lecherous cheat, and epitome of the principle of disorder, he is nevertheless the culture-bringer also. And he appeared under many guises : Coyote, Great Hare, Br’er Rabbit, Raven, Jay, Reynard the Fox, but also, on a more serious plane, he appears as the devil.”

At that time I started having dreams. In one I was (to quote my notes directly) “being sucked down with all manner of dogs”, into a vortex of mud or sand, heading for the funnel and ultimately, the darkness of the earth. Towards the bottom, I saw a figure standing watch over the pit, with a Jackals head and a human body. I awoke just as I took in what I thought was my last breath.

In another dream, a crazed knife wielding gypsy near a pool with an incomplete flyover in its midst, threw a knife at my wife, and missed; I reacted with rage at this wild, act of irresponsibility.

With the help of some Jungian “divination”, I found out that the Jackal Headed figure was Anubis, Egyptian guardian of the dead. And via the gypsy, I came to appreciate the presence in my mythical life of Hermes, a primary source of this ethos in Greek mythology.

Now Hermes is pretty multi-faceted. He is at once guardian of boundary stones (herms), communication, sport, music and ultimately a pretty shifty figure. From him we get hermeneutics (translation of ideas across cultural boundaries) and in his Roman guise Mercury, the postal insignia with the winged helmet.

The interesting thing for me was, having grown into adulthood characterised by charismatic evangelical piety and its worldview, how this trickster found a place alongside some very powerful “medicine”: the Evil Snake, and the overconfident, unambiguous “clarion call of truth”.

To be less obscure, I am referring to these 2 characteristics of my early belief system:

  • Monotheism’s dualism: christian theological orthodoxy sees Satan as the serpent in the garden having caused mans original sin via Eve’s temptation. The Jewish view of Satan is slightly less polarised, seeing him as an advocate / adversary to the law, rather than a semi-omnipotent being of dread and the father of all evil. And the third member of monotheism – Islam, doesn’t seem that different to the christian view regarding dualising good and evil.
  • Naive Sincerity:  The importance of being earnest – values such as “truth” and “integrity” were deemed absolutely crucial. In this Newtonian world – a predictable machine presided over by a God of Order -  ambiguity was eschewed and all sorts of logical hoops were jumped though to maintain “consistency”. This is not so much a problem with christianity per se as with Greek reductionist thinking. Is our Greek inheritance a good thing? – thoroughly dualistic, yet richly imbued in myth; and a tricky question.

So I rejoice at the presence of the Trickster in a barren land of closed thought, for quite apart from being the bringer of death and destruction, he in fact is a catalyst for life and salvation. I now look at Jesus as embodying (amongst all things divine) this trickster, as well.

  • “Be as wise/sly as serpents and as harmless a doves”. In this metaphor, the serpent is not an outlaw, but something to be actively embraced.
  • “Don’t let your left hand know what your right hand is doing”: Conjurers of the world, unite in Christ!
  • “Become as little children”: engage in play, awe, and the space opened up by ambiguity.
  • “I will make myself more foolish in their eyes” – David, shamanic worshipper and “apple of G-d’s eye”.
  • “I become a fool for Christ” – here Paul elevates the Jester role, acknowledging that it is not the highly evolved adult, but those without guile, who will experience G-d.

You may be saying, this is madness; this is exactly what we have come away from – deception and falsehood. I can sympathise with your confusion, because I share it. I too have looked askance at anyone delving into such shadowy arts.

But I am coming to see the Trickster no so much as a threat, but a gift. In fact, I see him as quite central to the core christian truth of incarnation, as well as central to all creativity.

As I now see it, the very call to incarnation involves the trickster. Incarnation can be described as “being in the world but not of it”. All people having undertaken a spiritual path, especially one involving reorienting oneself in the world, will know the difficulty of staying grounded and yet striving for transcendence. All manner of things get in the way, rationalism, craving, habit, apathy, materialism, fear. To live “in the spirit” can be a very difficult task.

The tendency in the search for “holiness” or “purity” is usually to separate our world into the secular/worldly/carnal and the sacred/heavenly/spiritual. We have immense difficulty being “in the world” when we refocus our inner life on the transcendent beyond.

//www.emblibrary.comI suggest that this is where the trickster comes to assist us. His realm includes ambiguity, irony, and play, incompleteness and chaos, holding in tension and suspending belief, generosity and cruelty, imagination, flexibility and cunning shifting of shape, the boundaries between life and death, and making connections where they are not supposed to be.

Clearly the trickster has the potential to destroy. Engaging him is to take a risk. It is the liminal area between right and wrong that is his playground. We should never say as an excuse “The trickster made me do it.” It is up to us to learn what we can from him but never to naively give him our heart.

There are totemic trickster figures in many of the more animistic cultures; additionally clowns and jesters, comedians and conjurers, and most if not all practitioners of art play this subversive role in society. Not to forget negotiators and peacemakers; even politicians, theirs being the “art of the possible”, despite their common failings.

Joseph Campbell notes

“They represent, from the point of view of the masters of decorum, the chaos principle, the principle of disorder, the force careless of taboos and shattering bounds. But from the point of view of the deeper realms of being from which the energies of life ultimately spring, this principle is not to be despised.”

And maverick Bruce Cockburn, again, in his rambunctious “Maybe The Poet” observes

Male female slave or free
Peaceful or disorderly
Maybe you and he will not agree
But you need him to show you new ways to see

Don’t let the system fool you
All it wants to do is rule you
Pay attention to the poet
You need him and you know it

What I am concerned with here is the potential of the poet, the prophet, and the shaman, to usher in holiness. To “shatter bounds” and bring us new ways to see.

As we focus on the task of apprehending or worshiping the Divine, wrestle with the complexities or truth, or simply seek to live life more fully, we should imaginatively and openly engage the services of this mythical “holy trickster”.
 

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Shamanism, interview 3: Tim Victor

Tim VictorTim Victor has worked as a youth pastor and spiritual consultant in urban missions. His aim has been to teach people how to hear from Godde and exercise spiritual gifts like prophecy and healing, announcing and demonstrating Godde outside of Christian environments and also mentoring Christians to work missionally.

Tim Victor is “a follower of Jesus intentionally growing as an envoy to postmodern spiritual seekers”. He is also trying to figure out how to grow as a husband, a father and a small-business owner. Note: Tim has committed to rendering all references to “God” as “Godde”,  in blithe disregard for patriarchal norms, as an amalgam of the Male and Female aspects of the Divine.

Do you as a Christian find the shamanic metaphor irrelevant, threatening or promising?
Promising, without a doubt. The concept of shamanism lends expression to much Christian practice while offering a framework for understanding and enabling people to enter into the practice of spiritual encounter, including revelation, healing and guidance.

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The shamanic shadow in the new testament.

In “The shamanic shadow in the old testament“, I did a lightweight survey of shamanic myths and practices throughout the Pentateuch, poetry and prophets, moving in a more or less linear way through time.

I now want to continue to examine the rest of the canonical bible. This time however, I’d like to start at the “end” and move towards the “centre”, ending up at the crux of the matter – Jesus Christ.

John of the Revelation
Lakota trinity from mattstone.blogs.com
The Revelation was written by John (not necessarily the same John as author of the Gospel or disciple of Jesus) while in a state of exile on the isle of Patmos. It is possibly the most controversial book of the 66 and its inclusion in the canon was not unanimous.

Revelation has been open to misinterpretations by readers (with an underdeveloped sense of the metaphorical) confused by the relationship between the literal and metaphor. This includes looking for inappropriate meanings in its rich set of symbols and reading chronological events into its structure.

Aside from fitting Revelations into one or another agenda, one of the reasons for this wildly varied speculation is no doubt as a result of ignorance of its literary genre, known as Apocalyptic. (Daniel is another example of this). One feature of Apocalyptic literature is an abundance of highly symbolic imagery.

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Shamanism, interview 2: Gavin Marshall

Gavin MarshallGavin Marshall looks a bit like ‘The Dude’ in the Big Lebowsky. He is a musician, a magician and a bit of an explorer when it comes to the mind and spirituality. A former evangelical pastor, he recently attended a guided retreat under the auspices of a Peruvian Shaman.

Tell us about how you moved from being an evangelical pastor to becoming interested in shamanism?
It was a long journey. I grew disillusioned with the church and decided to take a break. The break then became a bit more permanent and I found that I now had the freedom to explore what I really believed. The exploration involved studying different religions, magic, guys like Jung and Joseph Campbell and so-on.

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The shamanic shadow in the old testament.

Jonah in the Whale, by Caroline MackenzieI have tried to immerse myself in the question “What is shamanism?” for long enough to develop an unbiased view. If I had simply done “a christian critique of shamanism” or something that hadn’t got sufficiently out of the gravitational pull of orthodoxy, I think the quest would have been less fruitful. Doing critiques based on ones already held point of view is natural, but may not afford one enough objectivity to make it a useful investigation that ultimately leads to transformation.

So after summarising (albeit in western-style bullet form) some features of shamanism, I gave the good old testament a scan to see if I could identify the “shadow of the shaman” on the landscape of those 66 books.

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Shamanism, interview 1: Anthony Paton

Anthony Paton, a “materialist fundamentalist with and interest in alternative perspectives”, works for the Cradle of Humankind world heritage site. Besides being my brother, he in a intrepid bipedal student of all things natural: Birds, Reptiles, Rocks, People, and Natural Selection, and is not known to pass an opportunity to opine. So I asked him for his views on Shamanism.

Where does shamanism fit into the picture we now have of mans social and spiritual evolution?

Chief SeattleShamanism seems to have a long history- tens of thousands of years and is prevalent in many pre-agrarian societies, and is possibly associated with hunter-gatherer culture.  That would make it possibly a 250 000 year old tradition. There is a strong argument to suggest that shamanism is associated with traditional medicine- that since people discovered that plants can be harvested and consumed in various forms- through eating, smoking, steaming etc. and some of these plants contained chemicals which sent people on a mind journey which they interpreted through their own animistic (or other) beliefs.  Seeing that people already had a notion of deities and a spiritual world, it made a lot of sense to them to interpret these trips as informing them of the contents of these worlds, and receiving messages from them.

What is the role of the shaman in the Bushman culture of the Kalahari?

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The shamanic shadow

Ah conquistador is it only gold you’re looking for
Or may you still yet see the treasure long concealed within thee?
Ah conquistador campaigns you waged to win the war
To gain the world and lose your soul
What were you fighting for? - The Shamen, “Conquistador”

The shaman as visionary, prophet, healer, ceremonialist, psychotherapist & often herbal doctor is the ‘doctor of the soul’ for both the community and individuals.
- Leo Rutherford “Contemporary Shamanism”

Unknown artist's replication of ancient pictograph found in the Tien Shan Mountains of Central AsiaI have been broadly exploring new approaches to spirituality in posts such as
Ecclesia as Sacred Tribe and A Pagan conversation. Once one opens the imagination to ideas outside of the western modern norm, (such as “Tribe”), we inevitably meet, in premodern and ancient cultures, the shaman .

The shaman is a shadowy figure, dimly understood, and widely viewed by moderns as a purveyor of superstition, a dangerous magician or a charlatan praying on the fears of simple people. But in fact, in most accounts I have read, shamans are tough  mystics who has overcome their fear of death and so earned a reputation as powerful guides, seers and healers.

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Psychedelic Apocalypse – Terence McKenna’s Re:Evolution revisited

[Note : This is transcribed verbatim from The Shamen’s “Boss Drum” album (1994), and does not necessarily reflect my actual beliefs. However, it contains significant alternative prophetic content and is well worth noting. Emphases mine.]

Terence McKenna by Robert Venosa (www.venosa.com/terence_mckenna.jpg)If the truth can be told so as to be understood, it will be believed. Human history represents such a radical break with the natural systems of biological organization that preceded it, that it must be the response to a kind of attractor, or dwell point that lies ahead in the temporal dimension. Persistently, western religions have integrated into their theologies the notion of a kind of end of the world, and I think that a lot of psychedelic experimentation sort of confirms this intuition, I mean, it isn’t going to happen according to any of the scenarios of orthodox religion,

but the basic intuition, that the universe seeks closure in a kind of omega point of transcendence, is confirmed, it’s almost as though this object in hyperspace, glittering in hyperspace, throws off reflections of itself, which actually ricochet into the past, illuminating this mystic, inspiring that saint or visionary,

and that out of these fragmentary glimpses of eternity we can build a kind of map, of not only the past of the universe, and the evolutionary progression into novelty, but a kind of map of the future, this is what shamanism is always been about, a shaman is someone who has been to the end, it’s someone who knows how the world really works,

and knowing how the world really works means to have risen outside, above, beyond the dimensions of ordinary space, time, and [sic] causality, and actually seen the wiring under the board, stepped outside the confines of learned culture and learned and embedded language, into the domain of what Wittgenstein called “the unspeakable”,

the transcendental presence of the other, which can be absanctioned, in various ways, to yield systems of knowledge which can be brought back into ordinary social space for the good of the community, so in the context of ninety percent of human culture, the shaman has been the agent of evolution, because the shaman learns the techniques to go between ordinary reality and the domain of the ideas,

this higher dimensional continuum that is somehow parallel to us, available to us, and yet ordinarily occluded by cultural convention out of fear of the mystery I believe, and what shamans are, are people who have been able to de-condition themselves from the community’s instinctual distrust of the mystery,

and to go into it, to go into this bewildering higher dimension, and gain knowledge, recover the jewel lost at the beginning of time, to save souls, cure, commune with the ancestors and so forth and so on.

Shamanism is not a religion, it’s a set of techniques, and the principal technique is the use of psychedelic plants. What psychedelics do is they dissolve boundaries, and in the presence of dissolved boundaries, one cannot continue to close one’s eyes to the ruination of the earth, the poisoning of the seas, and the consequences of two thousand years of unchallenged dominator culture, based on monotheism, hatred of nature, suppression of the female, and so forth and so on.

So, what shamans have to do is act as exemplars, by … making this cosmic journey to the domain of the Gaian ideas, and then bringing them back in the form of art to the struggle to save the world. The planet has a kind of intelligence, that it can actually open a channel of communication with an individual human being.

The message that nature sends is, transform your language through a synergy between electronic culture and the psychedelic imagination, a synergy between dance and idea, a synergy between understanding and intuition, and dissolve the boundaries that your culture has sanctioned between you, to become part of this Gaian supermind, I mean I think

it’s fairly profound, it’s fairly apocalyptic. History is ending. I mean, we are to be the generation that witnesses the revelation of the purpose of the cosmos. History is the shock wave of the eschaton. History is the shock wave of eschatology, and what this means for those of us who will live through this transition into hyperspace, is that we will be privileged to see the greatest release of compressed change probably since the birth of the universe.

The twentieth century is the shudder that announces the approaching cataracts of time over which our species and the destiny of this planet is about to be swept.

If the truth can be told so as to be understood, it will be believed.

The emphasis in house music and rave culture on physiologically compatible rhythms and this sort of thing is really the rediscovery of the art of natural magic with sound, that sound, properly understood, especially percussive sound, can actually change neurological states, and

large groups of people getting together in the presence of this kind of music are creating a telepathic community of bonding that hopefully will be strong enough that it can carry the vision out into the mainstream of society. I think that the youth culture that is emerging in the nineties is an end of the millennium culture that is actually summing up Western civilization and pointing us in an entirely different direction, that

we’re going to arrive in the third millennium, in the middle of an archaic revival, which will mean a revival of these physiologically empowering rhythm signatures, a new art, a new social vision, a new relationship to nature, to feminism, to ego.

All of these things are taking hold, and not a moment too soon.

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